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Variations On A Korean Folk Song - Various - The Area All-State Concert Saratoga 1983


1983
Label: Not On Label - SRC 523 • Format: 2x, Vinyl LP, Album, Limited Edition • Country: US • Genre: Classical, Folk, World, & Country, Stage & Screen • Style: Promotional, Educational, Contemporary
Download Variations On A Korean Folk Song - Various - The Area All-State Concert Saratoga 1983

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October 2, 2012 mp3 6 Comments »


6 Comments to Variations On A Korean Folk Song - Various - The Area All-State Concert Saratoga 1983

  1. Grosho says:
    Variation 4 Variation 5 Variations on a Korean Folk Song by John Barnes Chance m. Switch into a 3/4 pattern on the macro beat Bass Cl, Contra Bass Cl, Bari Sax, Baritone, and Tuba enter in m. (beat 2) Strong beat 2 is referencing back to the theme m. the triplets.
  2. Mira says:
    Variations on a Korean Folk Song. This section is in 3/4 and is a hemiola; the brass play as if each measure were divided into two beats, while the woodwinds play three beats to a measure. For this reason, it is often conducted in one (i.e., the conductor only conducts the downbeat of each measure).
  3. Nekus says:
    Variations on a Korean Folk Song John Barnes Chance. Variation II (Larghetto) – m Theme is inverted Variation III (Allegro con Brio) – m Style change to a 6/8 March Variation IV (Sostenuto) (3/2 time) – m Theme is presented as a Chorale with driving timpani accompaniment Variation V.
  4. Netaxe says:
    – Area All-State Symphonic Band: Variations On A Korean Folk Song Composed By – John Barnes Chance: C1 – Area All-State Symphonic Band: Minuteman March Composed By – Robert Pearson* C2 – Area All-State Symphonic Band: Prelude And Fugue In G Minor Composed By – Johann Sebastian Bach.
  5. Nakora says:
    Jul 05,  · Variations on a Korean Folk Song By John Barnes Chance concertbandland. Loading Unsubscribe from concertbandland? Cancel Unsubscribe. .
  6. Gurg says:
    A very deservedly popular composition consisting of five contrasting variations on a lyrical Korean folk song. Stated first in unison by the woodwinds, the material is brilliantly explored and developed, and the use of Oriental harmonies is tastefully controlled. The percussion section is used extensively, both rhythmically and melodically.

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